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Michelle Sell

Michelle Sell - Classical
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1. A Child is BornListen Michelle Sell - A Child is Born
2. AbodeListen Michelle Sell - Abode
3. Cast No StonesListen Michelle Sell - Cast No Stones
4. Dancing CoyoteListen Michelle Sell - Dancing Coyote
5. PastoraleListen Michelle Sell - Pastorale
6. Shade and ShadowsListen Michelle Sell - Shade and Shadows
7. SicilienneListen Michelle Sell - Sicilienne
8. So Pro MimListen Michelle Sell - So Pro Mim
9. SoulsticeListen Michelle Sell - Soulstice
10. Three SistersListen Michelle Sell - Three Sisters
     
  Michelle Sell enjoys an extremely active career as a professional harpist. Since 1977, Michelle has played an average of 150-200 professional engagements per year. She has performed for the Queen and King of Thailand, the Grand Duke and Duchess of Luxembourg, former President Jimmy Carter, Academy Award winning director Francis Ford Coppola, rock star Sammy Hagar, and former SF 49'er quarterback Steve Young.

Although Michelle is an alumna and former faculty member of San Francisco Conservatory, where she studied classical music with Marcella DeCray, she is also an award winning "pops" and jazz harpist. Her styles are diverse and extensive, ranging from Bach to Cole Porter. Michelle is also a composer for Omni Music in New York. Her original compositions have been used on television, radio, and in motion pictures.

Whether it be a wedding, fund raiser, wedding reception, birthday party, retirement party, afternoon tea, or holiday affair, Michelle can be heard as a soloist or in combination with flute, cello, bass, guitar, violin, or saxophone. Depending on the engagement, classical flute and harp are beautiful accompaniments for your ceremony, while soprano saxophone, bass guitar, and harp are fabulous for your lively "jazzy" reception.

For outdoor weddings & private engagements, Michelle frequently uses a Camac electro-acoustic harp. Every string on this harp has a pickup or small microphone. This enables the harp to be heard, clearly, in venues seating 500 people or, in contrast, at venues with few people, it is an intimate background instrument. Michelle believes that her clients are entitled to professionalism, punctuality, courtesy, and above all, the ability to hear the music for which they are paying. At large venues and at outdoor functions, a traditional acoustic harp may be difficult to hear if not amplified. There is no extra charge for using the Camac electro-acoustic harp and its amplification system.

 
 
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